Please note: This is not a guitar effect where you can "plug in your guitar and get a sound out". Extra circuity is absolutely essential, either directly wired, or as parts of other equipment. If you need to ask how to use it, then it's not for you.
Four quadrant multipliers have more or less replaced ring modulators in synthesizers, even though they still bear the label "ring modulator". The distortion in these is lower than that of a true diode ring modulator, because the diode voltage drops have been eliminated. This leads to better specifications, though in a noise maker, this is not always desirable.
Here is an updated version of the popular "Real Ring Modulator", a traditional diode and transformer ring modulator. This time, a preamplifier for external input, and input and output buffers for conventional synthesizer levels are included.
A little on how it works.
There are several distinct sections to this circuit.
A TL071 op amp is wired as a high input impedance 10x gain stage for dealing with small signals such as from microphones and electric guitars, though the latter's output is probably hot enough to drive the stage into distortion.
The NE5532 is wired as two adjustable, low output impedance buffers for driving the transformer coils of the ring modulator itself. They only differ in the upper one mixes the above pre-amp output with a synth level input, while the other has three inputs - two DC coupled, and one AC coupled. One of the DC coupled inputs is wired to a pot to allow a DC voltage to be fed into the modulator to unbalance it, thus changing its characteristics. The unbalance function is not unlike a wet/dry mixer.
The core of the circuit is of course the passive ring modulator, consisting of two transformers and four diodes in a ring. Traditionally these diodes should be germanium, though schottky diodes such as the BAT48 can be used. Even 1N4148 silicon diodes will work, though with greater distortion due to the larger voltage drop.
Following the core is a nulling circuit. The circuit allows either a positive or negative portion of the original carrier and input signals to be mixed with the output to reduce the amount of bleed though. If this is not desired, the trim pots can simply be left off the board.
Finally there is an output buffer and recovery amp. The 100k resistor marked with an asterisk on the schematic should be a lot lower - say 33k, or even as low as 10k, if you find you do not have enough gain. This will depend on the transformers used. With the 100k shown (REV0.0), the maximum gain is unity.
|Brand||Cat Girl Synth (CGS)|
|Additional Resources||BOM & More Information|